maysw

Blast. Textiles. Art. Travel. Tribes. Textiles. Blast

Tuesday, July 24, 2012

The Black Hmong





Historic Hmong Snippet: The Hmongs are the most popular ethnic minority within the Indo-China region (Thai, Laos, Cambodia, Vietnam). Like the Dao people (see previous post), the Hmong people originated from southern China, but once again, due to the struggles against feudalist China, they emigrated to the areas of northern Vietnam. This occurred in the 19th century and it is here they began to build hamlets in the regions of Lao Cai and Ha Giang (the northern-most regions of Vietnam).

As the Hmong people ventured out to various regions, they began to develop and differentiate themselves from one another and thus, built various sub-groups. A common language (Hmong) albeit different dialects is spoken, culturally very similar, but a large visual difference - and that is, again, their textiles and dress. Note: These sub-groups don't seem to have any disputes with one another and seem to get along, just fine! ;)


Discovering & exploring: Being highly captivated by these various dress styles and detail, I managed to find various tribes in the region. Focusing on the Hmong people, I discovered a couple of them, but sure I'll focus on them one by one. It's here I give you...





The Black Hmong. Ah, the famous Black Hmong. I've mentioned this hill tribe in a previous post http://maysanw.blogspot.co.uk/2012/05/hmong-robots.html. Yep, they continue to pester and sell their clothing and accessories, but this is clearly their livelihood.


Textiles: "It is believed that whether their houses are beautiful and of good quality depends on the husbands, and whether they are wearing beautiful clothes and their children are taken care of or not depends upon the wives". Thus, the women must hone good embroidery skills to present their skilfulness and ability to work hard. In addition, handmaking their cloth from scratch - using the hemp they grow in their beautiful rice-terraced fields and hand-dyeing using indigo plants grown amongst the hemp.

Their colour is distinct and although is stated as 'black', it tends to be more of a dark, dark indigo colour - hence, being grown from indigo plants. Hand and natural dyeing is a tradition, however, it seems that due to tourism, the Hmongs know too well that chemical dyeing and buying cloth from the market (imported from China usually) is a speedier way of creating these profitable textiled products! This seems to have made its mark in the product market. But behold! Tradition still stands - as below indicates...Yet again, women are responsible for the dyeing process.


Traditional fabric: Fabric is made from the strong and resisting fibre; Hemp. The hemp plant surrounds the Hmong villages and is often grown in March of the lunar calender and due to its speedy growth - is harvested after two months.




Once harvested, the following takes place....

.The hemp is air-dried and peeled into threads.
.The threads are then ground in a mortar.
.They are then are then hung on beams within their homes and flattened.
.Two or three days later, they are rolled into big rolls, then eventually spun.
.The hemp is then boiled and spun into rolls of thread by a reel. [1kg of hemp threads can take two or three days].
.Hemp threads are joined and spun into threads. [Women learn at the tender age of 6 or 7 years old to spin the hemp - and learnt either by their mothers, grandmothers, sisters, or self-taught!]
.To strain hemp threads into longer ones, the spun hemp threads are boiled with wax many times.
.Once removed from the liquid, they are flattened by a stone or a piece of wood, and air-dried until the yarns are shiny and smooth.
.The yarn is then spun onto a large reel (khau li ) to make longer yarns which are then stretched on the loom. [This type of process is only performed on sunny days to prevent tangling of yarns].



Weaving: Most women are apt on weaving. Not all families will own a loom. Those without a loom, are to rent a loom or weaver.



Tailoring clothes: The women are also skilled to tailor clothing and traditionally stick by the lunar calender. Therefore, dresses and trousers are made in September or November at the latest, in time for the Tet holiday (new year).

Once woven...



How the Black Hmong become 'black'
Welllll...not quite black. Indigo!
Indigo plants are the instigator for the black coloured clothing. Indigo plant seeds are often planted in April or May and harvested in June. The Hmong follow an auspicious calendar, that said, the indigo must be planted at the beginning of the month i.e. the lucky days, to avoid worms and diseases that may come about if planted at the end of the month. In addition, the indigo must be harvested at the correct time. Failing to do so may lead to, weak older leaves and the resin will not be good as expected.


From plant - to resin - to dye Once the indigo is cut, it is soaked in water for 2-3 days. As soon as the water turns black, dissolved powdered lime is mixed and stirred in for thirty minutes which turns the water into a shiny black. After three hours, indigo resin condenses to the bottom of the bucket. This is put into a pack and filtered into a dry resin.

The resin is then mixed with water in wooden or plastic buckets and sediments are then filtered. Once again, this may take place on auspicious days - specific days may be chosen, such as days of tigers, buffaloes, dragons, chickens or horses, instead of days of pigs.


Hmong tradition also suggests that pregnant women are not to touch the buckets of indigo resin as they will cause the indigo to die (note: alive buckets of indigo will form a foam). When mixing the indigo, men are not allowed to stay in the house, except the woman's husband.



Indigo dyeing
Yet again, women are responsible for the dyeing process. When dyeing the fabric, the indigo must be consistently stirred. If there is no trace of foam (i.e. indigo has died), the process must be restarted. After each dyeing stage which can take 30 minutes, the cloth is air-dried and is continued another twenty times or so, or at least until the Hmongs are content. They may press their fingers onto the surface of the cloth. If no white gaps are present, this means that the piece of cloth has been beautifully dyed.




Embroidery Like the Red Daos, the Black Hmong also enjoy embroidering and believe that all women should be involved and know how to embroider to show skilfulness and ability. Different patterns are embroidered on Hmong peoples' clothing.

- Spiral patterns are common on belts, collars of female clothing. Patterns on belts are larger than those on collars.

- Pumpkin flower patterns are common on collars of male clothing. Male costume patterns are usually smaller.

- Patterns on sleeves are created on female clothing. The patterns are often smaller and different patterns are created such as dragons, stars and more recently, hearts.



Wax patterns In Hmong history, Hmong people who went into the forest to collect honey came across forests of indigo. They found that wax would stick to their clothing and indigo would dye their clothing. As they peeled away the wax, the original white coloured hemp was left on those areas of the cloth. This was considered to be beautiful. Hmong people would thank the bees for this discovery which leads to another style, and process..Wax patterns. Wax drawings are drawn onto the un-dyed hemp cloth. A paintbrush is immersed into the melted wax and is then used to draw onto the fabric. Numerous brushes are used to draw different patterns. Since bees were the path to their discovery, they are popularly featured on the clothing patterns.






Other decorative features...


Earrings Hmong girls adorned with large hooped metal earrings also signify that this girl is married. The earrings are traditionally made by their husbands where they will batter and emboss the metal. Intricate and detailed, heavy and jingly. Other jewellery is worn for decoration, such as heavy necklaces and bracelets.


Hats Round black hollow hats are again not compulsory in the costume but for extra decoration, and to veer off the cold conditions that the Hmongs experience through winter months. They tend to be more popular amongst the older female population.






Hairstyles Girls leave their hair growing long , extremely healthy looking. Once the girl has married, she will tie her hair in an intricate manner, as shown below.

Note: As the girls do not wash their hair too often, it becomes oilier, thus the natural oils help maintain the married Hmong girl's hairstyle and shape.




Discovered So, that was a small summary of the beautiful Black Hmong. Their mountain beauty is projected well through their costumes. I very much enjoyed integrating and finding out the information. See below for my experience with embroidery on the 3 step patterns - it was not easy, and I'm definitely not up to their speed!




Wednesday, June 20, 2012

Red Dao people




It seems that most of the tribes of this northern region of Vietnam are presented in an ornate and decorative manner. From tribe to tribe, they are boldly differentiated, largely by the use of style and colour. I came to the region to find out why..

There is clearly a reason as to why these tribes still dress as they do. It seemed to me to be quite a ridiculed way of living in the mountains - dressed in funny, strange and impractical costumes. But with these tribes, clothing is stemmed from nature and producing them is a livelihood. Their 'uniform' is one of the key visual differentiators between groups [that still being a valid way in modern day western living]. Though it may seem shallow as a shallow end of a swimming pool can be...but, it surely is true, that - how you dress; is sense of identification, belonging and ultimately expresses and partly conjures who you are.



The Daos

A little history: Dating back, history finding their origins in the southern west parts of China. The Daos migrated to Vietnam around the start of the 12th or 13th century and continued until the early 20th century. Drought, failed farming of crops and Feudalism pressures in China promoted this migration during the Minh dynasty. Whilst in China, the Dao were divided into smaller groups - still with common language, though perhaps slight different cultural techniques and different visual costumes. It was here that....


The Red Dao migrated to the hills of Vietnam. The Red Dao are one main group of the Dao people and mostly found in and around the SaPa (tourist mecca) region of Vietnam - mainly emanating from the village of TaPhin. You cannot visit SaPa without witnessing the sight of their beautifully and intricately designed clothing.


Textiles
As mentioned above, I would like to reinforce that The Red Dao are very intricately styled. The daily female costumes are shown below:


Women attire: The married women tend to wear the red scarves on their heads and hand-embroidered aprons. I'm guessing red was chosen to represent strength and for ease of identifying amongst the green mountains. I'm sure there's more reason to it, but the differing head ornaments are worn according to the weather climate! i.e. heavier for the winter periods. The jacket is meticulously embroidered as are the short and wide trousers.


Headscarves:




Bodywear:





Hats: Small boys will traditionally wear hats and short shirts made by their mother or sister(s). Boys will wear red and black hats with fringes and beads , whilst girls will wear hats of three colours - black, yellow, white - with embroidered patterns and silk.






Embroidery:
Embroidery is absolutely important in Dao families. It is the female's job in the family to produce clothing and decorate their tribal patterns. Girls are encouraged to learn at a young age (as young as 6 or 7). Failure to learn means they're clothing will not be beautiful enough and they 'will be left off the shelf'. Thus, nobody will marry them...eek! *Hurry up, girls. Get learning!* Before being trained to embroider, girls must be trained by mothers and grandmas meticulously on how to count threads i.e. two-thread and three-thread patterns, and how to embroider in a straight line in an up & down technique. They embroider on the reverse side of the cloth. The embroider forms beautiful designs of the images below. Embroidering is not done overnight. No way. There is quality involved here. A jacket's embroidery can take months and months to be completed. Small stitches and very, very intricate detail. Whilst time is irrelevant, quality is not!

Numerous images are created, some being; animals, weather (thunder), nature (flowers, trees)...etc. The embroidered pattern will portray various meanings, such as, representing the village where they are from, luck and fortune, happiness, power, strength, promoting crop growth (i.e. worms and snails), to tell stories of the moment.






A summary of cloth & serious dyeing talk:
Unlike other neighbouring tribes, the Daos do not plant hemp and do the weaving. Traditional villages will buy the cloth, dye it and design and tailor the clothes themselves. In most instances, naturally extracted dye is used and the following colours are created using the relative natural components:

.Yellow - fibraurea tinctoria Lour roots
.Red - sam mua wood
.Brown - dioscorea cirrhosa Lour roots

When using 'dioscorea cirrhosa Lour roots', the old roots are peeled sliced and then put into a clean pot to be boiled until the liquid becomes a dark brown colour. The cloth is to remain unpressed and lowered gradually into the dying liquid to soak for 2-3 minutes and is then this cloth is air-dried. Once the cloth is dry, the same is done to the other side to ensure that both sides are of the same colour.

Silk dying uses 'Fibraurea tinctoria Lour roots' - which are chopped and boiled. When highly condensed, the liquid is poured into a basin and is repeated 2-3 times.





So, there you go. That was a little insight into the Red Dao and their meticulously designed clothing that is worn on a daily basis. It seems impractical but it represents who they are, culture and traditions. I highly rate them, especially having seen first-hand how much time and effort is mounted to produce such clothing. Pure quality. There's more to it than meets the eye.






Saturday, June 9, 2012

HauBerry paintable






Once again, I was in SaPa (Vietnam) surrounded by those awfully pretty green mountains and rice terraces, embellished in clear(ish), clean(ish), succulent(ish) air and embraced in relatively peaceful tranquility (this is minus the full vocal shouting between locals, the restoration drilling work that began at 7am daily and the constant vehicle beeping taking place outside).

It was March 2012, and being a restless individual, I figured the series of paints I owned, the paintbrushes and the blank canvas were looking lonely. I paired this with the knowing thought that my friends were going to envisage the two become one (marriage) in June of that same year. A personalised gift was the ultimate necessary, and those mountains were offering me a motivated painting mood. And why not? At the time, I'd chosen my room in 'Thang Loi' guesthouse as it offered a nice & neat setting for painting together with it's decorative imprisoned view of the mountains [see below] (...though I'd since found a better room).




.The Vista





Here we go! Here are - the now-newlyweds; Jane & James Berry.
(Jane née Hau - hence, HauBerry).

I thought I'd spark & quirk them up a little more. Jane enjoying her little crown/tiara, and James...well, James is seriously enjoying his polka dot gleaming red bow-tie.

I was limited to the choice of photos I could copy - and this one seemed to be the most apt.
Please excuse all forms of amatuer detail - I'm learning!





.The [attempted] Process







.HauBerry Result
a how very (hauberry) unlikely resemblance, but..I had fun. And, according to me, that's what counts.





Note: Whilst painting, I hadn't yet booked my flight home and figured I would be mailing this 'artistic feature' (heh!) back to the Isles of Britannia. Not at all do I regret not returning home to their welcoming and wonderful FUN wedding. Thanks J&J! CONGRATULATIONS. I'd appreciate if you could host another partay like that. I enjoyed painting you lots and could easily do it again. How about an annual wedding anniversary? Perhaps? !